cutlery
19-05-2011, 7:46pm
This probably belongs in a tutorial of some sort but I think that it should have some critiquing first and I also don’t have authority to create new articles so let me know what you think.
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Understanding Depth of Field
Depth of field is the range of distance, in front and behind the exact plane of focus that appears acceptably sharp. Note that depth of field is our perception of acceptably sharp not what is exactly focused. Depth of field does not change abruptly from sharp to blurred but transitions gradually as the distance increases in front of and behind the focal plane.
There are a lot of aspects that affect depth of field including: focal length of the lens, aperture setting, distance to focused object and the size of the print or viewing media. (The bigger the photo the more noticeable are the effects of depth of field.)
Focal Length
To achieve optimum performance, a modern photographic lens has many elements. If these elements were to be replaced with a single lens to give the same magnification, the focal length would be the distance from the centre of that single lens (focused at infinity) to the focal plane where the film or sensor is located.
The longer the focal length the more depth of field will have an effect on the outcome.
https://lh4.googleusercontent.com/_FplMn6vGuig/TdTpvLw3PFI/AAAAAAAAATg/fWofxexGkIM/s400/100mm%20single%20lens.jpg
https://lh4.googleusercontent.com/_FplMn6vGuig/TdTruyBc3jI/AAAAAAAAATs/TxoPeUGLNGs/s400/Untitled100f2.jpg
Distance to the Object
If the objects of focus are at a considerable distance (like on the horizon) the depth of field is considerable. For example: a mountain in the background and a tree in the foreground some thirty metres away. Both objects would appear pretty much in focus. But say we focus on a flower only 300mm away from the camera; the effect of depth of field becomes very apparent.
Aperture or “f stop”
Aperture is essentially the size of the hole that lets the light in through the lens and into the camera to enable the photo to be taken. The “f” number if determined by the focal length divided by the size of the opening.
The larger the aperture (smaller “f number”) the tighter depth of field and the more blurred unfocused objects will appear. The smaller the aperture (larger “f number”) the greater depth of field and the less blurred unfocused objects will appear.
Aperture is usually the most accessible attribute that can adjusted quick and easily to change the depth of field, however it should be noted that reducing the aperture (increasing the “f number”) will also reduce the amount of light entering the camera, therefore more time will be required to obtain the same amount of light to expose your film or sensor: increasing your “f number” will reduce your shutter speed.
https://lh6.googleusercontent.com/_FplMn6vGuig/Tb1G4bq_fzI/AAAAAAAAATo/VAYhqxkQCG4/s800/irisd.jpg
https://lh3.googleusercontent.com/_FplMn6vGuig/TdTp3tyIviI/AAAAAAAAATk/HS3MimxlTg4/s640/Aperture%20Diaphragm%202.jpg
The Cooperative Dragonfly
Macro photography is greatly affected by depth of field. Below are a number of photos taken of a dragonfly that was most cooperative as it stayed still long enough for me to take a few photos with different aperture settings. All photos are taken with a Canon 100mm macro lens.
https://lh5.googleusercontent.com/_FplMn6vGuig/TbfmS6cOh9I/AAAAAAAAAPU/4caScJwwaB0/s640/Cooperative%20Dragonfly_0001.JPG
f=2.8, Exposure: 1/1600 sec
https://lh4.googleusercontent.com/_FplMn6vGuig/TbfmUUM7IAI/AAAAAAAAAPc/U63zIav-fpw/s640/Cooperative%20Dragonfly_0003.JPG
f=6.3 Exposure: 1/250 sec
https://lh5.googleusercontent.com/_FplMn6vGuig/TbfmVAeNUhI/AAAAAAAAAPg/zVxR5Z7Ve6o/s640/Cooperative%20Dragonfly_0004.JPG
f=11, Exposure: 1/80 sec
https://lh3.googleusercontent.com/_FplMn6vGuig/TbfmXJtLdbI/AAAAAAAAAPo/K7DUT2jV4m4/s640/Cooperative%20Dragonfly_0006.JPG
f=32, Exposure: 1/10 sec
Using Depth of Field to Your Advantage
Having the background out of focus so that the object stands out can add a three dimensional aspect to the photo, so use this to your advantage. Also annoying objects in the foreground can almost be removed with good placement of the camera and use of depth of field. Say for example birds in a cage. If you push the lens right up to the cage, block most of the light that would illuminate the bars in front of the lens and select a suitable aperture size, the bars of the cage will disappear.
https://lh4.googleusercontent.com/_FplMn6vGuig/TdTpa5M8FgI/AAAAAAAAATQ/EblfManHZXE/s640/IMG_2870.JPG
https://lh3.googleusercontent.com/_FplMn6vGuig/TdTyC_-zxCI/AAAAAAAAATw/MiUMRDWNMQ0/s640/IMG_2307.JPG
Homework
Most modern SLR cameras have a depth of field preview button which will show you what the depth of field will be like before you take the photo. Your homework is to read the manual for your particular camera find the depth of field preview button and learn how to use it well.
Test Sheet
Below are a number of photos taken of a test sheet that was printed and laid on the table and photographed at a steep angle to demonstrate the effects of different aperture settings on depth of field. All photos are taken with a Canon 100mm macro lens.
https://lh6.googleusercontent.com/_FplMn6vGuig/TbfmYKW--5I/AAAAAAAAAPs/xapcGmWCzUc/s640/Depth%20of%20field_0001.JPG
Aperture: 2.8
https://lh5.googleusercontent.com/_FplMn6vGuig/TbfmZnqn4XI/AAAAAAAAAP0/YxaWJqCexE0/s640/Depth%20of%20field_0003.JPG
Aperture: 5.6
https://lh5.googleusercontent.com/_FplMn6vGuig/TbfmbAM1h5I/AAAAAAAAAP8/7PuHebrZnHs/s640/Depth%20of%20field_0005.JPG
Aperture: 11.0
https://lh6.googleusercontent.com/_FplMn6vGuig/TbfmdHAWXrI/AAAAAAAAAQE/W84gyGIuSDY/s640/Depth%20of%20field_0007.JPG
Aperture: 22.0
If you would like try this out for yourself, a "PDF" version of the test sheet can be obtained from:
"Future link to pdf file"
-----
Understanding Depth of Field
Depth of field is the range of distance, in front and behind the exact plane of focus that appears acceptably sharp. Note that depth of field is our perception of acceptably sharp not what is exactly focused. Depth of field does not change abruptly from sharp to blurred but transitions gradually as the distance increases in front of and behind the focal plane.
There are a lot of aspects that affect depth of field including: focal length of the lens, aperture setting, distance to focused object and the size of the print or viewing media. (The bigger the photo the more noticeable are the effects of depth of field.)
Focal Length
To achieve optimum performance, a modern photographic lens has many elements. If these elements were to be replaced with a single lens to give the same magnification, the focal length would be the distance from the centre of that single lens (focused at infinity) to the focal plane where the film or sensor is located.
The longer the focal length the more depth of field will have an effect on the outcome.
https://lh4.googleusercontent.com/_FplMn6vGuig/TdTpvLw3PFI/AAAAAAAAATg/fWofxexGkIM/s400/100mm%20single%20lens.jpg
https://lh4.googleusercontent.com/_FplMn6vGuig/TdTruyBc3jI/AAAAAAAAATs/TxoPeUGLNGs/s400/Untitled100f2.jpg
Distance to the Object
If the objects of focus are at a considerable distance (like on the horizon) the depth of field is considerable. For example: a mountain in the background and a tree in the foreground some thirty metres away. Both objects would appear pretty much in focus. But say we focus on a flower only 300mm away from the camera; the effect of depth of field becomes very apparent.
Aperture or “f stop”
Aperture is essentially the size of the hole that lets the light in through the lens and into the camera to enable the photo to be taken. The “f” number if determined by the focal length divided by the size of the opening.
The larger the aperture (smaller “f number”) the tighter depth of field and the more blurred unfocused objects will appear. The smaller the aperture (larger “f number”) the greater depth of field and the less blurred unfocused objects will appear.
Aperture is usually the most accessible attribute that can adjusted quick and easily to change the depth of field, however it should be noted that reducing the aperture (increasing the “f number”) will also reduce the amount of light entering the camera, therefore more time will be required to obtain the same amount of light to expose your film or sensor: increasing your “f number” will reduce your shutter speed.
https://lh6.googleusercontent.com/_FplMn6vGuig/Tb1G4bq_fzI/AAAAAAAAATo/VAYhqxkQCG4/s800/irisd.jpg
https://lh3.googleusercontent.com/_FplMn6vGuig/TdTp3tyIviI/AAAAAAAAATk/HS3MimxlTg4/s640/Aperture%20Diaphragm%202.jpg
The Cooperative Dragonfly
Macro photography is greatly affected by depth of field. Below are a number of photos taken of a dragonfly that was most cooperative as it stayed still long enough for me to take a few photos with different aperture settings. All photos are taken with a Canon 100mm macro lens.
https://lh5.googleusercontent.com/_FplMn6vGuig/TbfmS6cOh9I/AAAAAAAAAPU/4caScJwwaB0/s640/Cooperative%20Dragonfly_0001.JPG
f=2.8, Exposure: 1/1600 sec
https://lh4.googleusercontent.com/_FplMn6vGuig/TbfmUUM7IAI/AAAAAAAAAPc/U63zIav-fpw/s640/Cooperative%20Dragonfly_0003.JPG
f=6.3 Exposure: 1/250 sec
https://lh5.googleusercontent.com/_FplMn6vGuig/TbfmVAeNUhI/AAAAAAAAAPg/zVxR5Z7Ve6o/s640/Cooperative%20Dragonfly_0004.JPG
f=11, Exposure: 1/80 sec
https://lh3.googleusercontent.com/_FplMn6vGuig/TbfmXJtLdbI/AAAAAAAAAPo/K7DUT2jV4m4/s640/Cooperative%20Dragonfly_0006.JPG
f=32, Exposure: 1/10 sec
Using Depth of Field to Your Advantage
Having the background out of focus so that the object stands out can add a three dimensional aspect to the photo, so use this to your advantage. Also annoying objects in the foreground can almost be removed with good placement of the camera and use of depth of field. Say for example birds in a cage. If you push the lens right up to the cage, block most of the light that would illuminate the bars in front of the lens and select a suitable aperture size, the bars of the cage will disappear.
https://lh4.googleusercontent.com/_FplMn6vGuig/TdTpa5M8FgI/AAAAAAAAATQ/EblfManHZXE/s640/IMG_2870.JPG
https://lh3.googleusercontent.com/_FplMn6vGuig/TdTyC_-zxCI/AAAAAAAAATw/MiUMRDWNMQ0/s640/IMG_2307.JPG
Homework
Most modern SLR cameras have a depth of field preview button which will show you what the depth of field will be like before you take the photo. Your homework is to read the manual for your particular camera find the depth of field preview button and learn how to use it well.
Test Sheet
Below are a number of photos taken of a test sheet that was printed and laid on the table and photographed at a steep angle to demonstrate the effects of different aperture settings on depth of field. All photos are taken with a Canon 100mm macro lens.
https://lh6.googleusercontent.com/_FplMn6vGuig/TbfmYKW--5I/AAAAAAAAAPs/xapcGmWCzUc/s640/Depth%20of%20field_0001.JPG
Aperture: 2.8
https://lh5.googleusercontent.com/_FplMn6vGuig/TbfmZnqn4XI/AAAAAAAAAP0/YxaWJqCexE0/s640/Depth%20of%20field_0003.JPG
Aperture: 5.6
https://lh5.googleusercontent.com/_FplMn6vGuig/TbfmbAM1h5I/AAAAAAAAAP8/7PuHebrZnHs/s640/Depth%20of%20field_0005.JPG
Aperture: 11.0
https://lh6.googleusercontent.com/_FplMn6vGuig/TbfmdHAWXrI/AAAAAAAAAQE/W84gyGIuSDY/s640/Depth%20of%20field_0007.JPG
Aperture: 22.0
If you would like try this out for yourself, a "PDF" version of the test sheet can be obtained from:
"Future link to pdf file"